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The Shins - Flake Music

Flake Music - The Shins

Before the Shins there was Flask Music with a song called the Shins

I picked this little beauty up a good few years ago now and haven’t played it for some time, mainly due to the very poor sound quality, but digging around this morning it caught my eye. Flake Music was the high school incarnation of what were to become the Shins. I think their total output consisted of one EP and album ‘When You Land Here, It’s Time To Return’. The songwriting and structures aren’t as sophisticated as they eventually become when James Mercer hones his skills during his work with the Shins but some of the patterns and signatures are evident here particularly in ‘Spanway Hits’ and the curiously titled ‘The Shins’. My favourite track, although completely throwaway 90’s indie indulgence is ‘Meike’, but I’m posting ‘The Shins’ as well, it’s most like what the Shins became. 

12 Plays

From the digital attic #1

It never ceases to amaze me how much our modern machines hold, but what fascinates me more and more is when we upgrade we transfer over all data, warts ‘n’ all, with some files buried for years waiting to be unearthed and stir a little memory or two. This is one of the many pieces along the way that was rejected for what I would suggest, albeit still mine, an inferior illustration.

Canal Music was a tour of contemporary music produced in 2009 that paired modern electronic music with the traditional canal barge. Folk singer Lisa Knapp and Electronic music artist Leafcutter John created and performed new musical compositions inspired by the waterways on the Grand Union Canal on a 1930s narrow boat.

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Water Bombs - TWINSY

TWINSY - Water Bombs

Oh Oh Twinsy Water Bombs

This debut from Aussie band Twinsy has huge indie hit all over it, and Water bombs may do for the steel drum what Cape Cod Kwassa Kwassa did for African Highlife guitar across indie circles. The electro synth riff struts and bounds energetically while steel-pans patter a gentle melody to raise you up to smell the cool caribbean air - two coconuts please barman. 

Keeping me going on a late studio night - great track! 

34,901 Plays

Darren Hayes Secret’s Out Tour

We recently completed the artwork for Darren Hayes forthcoming tour that was announced this week.

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Hey! Fever - Arab Strap

Arab Strap - Hey! Fever

It’s Officially Summer

I remember buying this 7” in Selectadisc many moons ago, I wasn’t much of fan of Arab Strap but picked it up for reasons I do not know. The EP is an amazing little collection of songs that triggered a period of experimentation for the band and changed their sound for the better, R&B vocals stripped back club anthems, melodic grooves are aplenty. The track for me is this, Hey! Fever. It Plods and and builds and then builds some more with culminating with female vocal befitting of any house music anthem (surprised I have never heard this remixed or sampled - anyone ?). Perfect for today when Summer really is kicking in and I feel the faint sense of an itchy eye heralding in the early onset of a full blown hay fever damn.

What a lovely day for it

15 Plays

BONNIE ‘KING’ BILLY

Limited Editions, special packages, clever gimmicks are most definitely the way, for now, that labels and, by the looks of things, publishers are looking to boost sales of physical product. It’s been a widely held view for some time that content is not enough or that you aren’t selling the content any more, you give that away and sell the object, the package, the extra up-sell whatever it may be. I don’t really have a problem with all that, what I do have an issue with is the pricing of some of these things and where the line is drawn between something that is great addition to a fans collection and something that is taking advantage of a fans loyalty. I very much think the new ‘Will Oldham on Bonnie ‘Prince’ Billy’ special edition published by Faber & Faber falls in to the latter.

I’ve been a fan of Will Oldham’s various guises since very early doors, in 1993 I bought my first ever mail-order records – I phoned the label they sent me a letter, in the letter was a list of records and prices, I chose some and sent a cheque, waited several weeks and received two shiny new records, Palace Brothers 7” ‘Ohio River Boat Song’ (pictured) and album ‘There is No-One What Will Take Care of You’. I have been looking forward to the release of the forthcoming book of conversations with Alan Licht and had a little pang of excitement when I received an email from Rough Trade last night with a news piece about pre-ordering the limited edition of said book with a little thumbnail of the package. I quickly pressed the ‘read more’ link, read the spiel and clicked the pre-order. At this point it’s running through my mind that I might pick this up, I’m not a limited edition records or books man although I am a collector, it’s mainly due to the fact I have so many records and CDs, the thought of filling another area of my house with randomly sized packaging is too much hard work, but very occasionally I make an exception. So the page takes a while to load and the very first thing I notice is £150.00 GBP !? I go back over the contents hard-back book, two 10” vinyls 6 Extra songs… hmm £150.00! My initial reaction is one of shock at the cost, how can it be so much, this is pure exploitation, why not make a few more and sell it a little cheaper to make it more accessible to what is a relatively large fan-base?? Would you agree ?

I then thought a little more and tried to consider whether this was a reasonable price to place on what is somebodies art, in terms of ‘art’ is it a reasonable price ? – there are plenty of illustrators selling shoddy digital prints at ridiculous prices, paintings exchange hands for sums far greater than their perceived worth. So why should/n’t ‘good’ music and literature, which are often better crafted and effect many more people, be any different – and I suppose my conclusion is, well… it shouldn’t. Unfortunately however it is and it has context. Literature is cheap, music is cheap, music in fact sadly to most is free, publishers, labels and artists are desperately trying to work out how they are going to be able make money in the future and exist and one of the methods, for now, will be by adding perceived value in ‘limited edition special packages’. I’ll say again, I have no problem with this but the pricing is key to whether you keep a happy fan-base who buy in or alienate many by making them feel ripped off – and for me, again, this very much falls in to the latter, I can’t see how Faber can justify this hefty price tag – they will say it’s the limited number (300) but I still think its.

In difficult financial times I count myself lucky to be able to afford this box set, and I’d like it but I won’t be buying it because I am not idiot who will be suckered in to paying way over the odds for a bit of added fluff. We all know by now the ‘exclusive tracks’ will appear at a later date on a less special edition with an ‘only previously available on…’ tag so I can live without it thanks. I have no doubt however these will sell and then a precedent is set - and maybe this is the way they will make their money, maybe real music, good music in the future will be hugely expensive, maybe that’s how it should be…

London Jazz Festival 2012

The time is upon us once again for the UK’s (and possibly the worlds) finest festival of Jazz in all it’s many wonderful genre’s to announce the first part of the line. And once again we are privileged to work in this iconic event. This years branding gets a first little run out above.

londonjazzfestival.org.uk

Haunted House of House

A2 poster that will be included in the forthcoming Haunted House of House album by Session Victim released on the Delusions of Grandeur label very soon

benwatt:

the lovely @IWANTdesign has designed a new 12” bag for buzzin’ fly. heavy disco machine music! 

BUTTERFLY

I cretaed this image of a butterfly made from discarded hole punch dots some time ago for Brent Councils Holocaust memorial day. I made two versions, this was my preferred one but we didn’t use it.

COPIES ?

I have had two phone calls from clients in the last two weeks drawing my attention to work I have produced for them that they feel has been copied by others. I’m not one for ranting on about copying in design as ideas have been filtered down in various creative form since forever. However, there is heavily influenced and then there is simple copying - after two calls in two weeks, plus a quick browse through a few design books at Tate Modern discovering some of my work published without permission or credit, I am a little miffed to say the least. If you are wondering, the iwant designs are the top two, first column is a flyer produced for NYC club Body and Soul in 2008 below is a recent album from Ministry of Sound. The second column is an album we designed for 6th Borough Project earlier this year below that is a just released 12” for Adam Beyer. Having contacted both they simply say sorry it is just a coincidence. Both of these appear in google searches - What do you think ? 

LONDON JAZZ FESTIVAL NEW(S)

The London Jazz Festival 2011, designed by IWANT, Newspapers have arrived just in time for tomorrow’s launch! Pick em up while you can at Southbank Centre and Barbican.

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